Sunday, February 23, 2014

I Cannot Tell A Lie


DAILY PHOTO GAME... It’s 19° In Chicago.  Another beautiful day in our never-ending winter and, seeing the last couple of images by Bob & Russ, I was struck by the disparity in our situations.  Both of them… or should I say, all of my DPG colleagues… enjoy consistently warmer climes than I do.
What’s that got to do with anything?  Moving away from skeletal remains and pickled brains, Jay posted a cabbage which led to Bob and his Field of Dreams, then Russ and his Side Trip.
The cabbage, the field of cabbages with diminishing perspective, the stand of poplars with both perspective and repetitive verticals… oh, “and I’ll just be a minute...”
I’m longing for warmer weather, the warmth of summer, which is typically signaled by the return, the re-opening, of farm stands lush with produce fresh from the field.  Every time I see one I’m compelled to stop (and shop) and make photographs.  And every time, whether a long-suffering child or significant other, has told me: “that was longer than a minute!”  As if this son of a watchmaker doesn’t know how to tell time.
Of course, if I told the truth, if I’d said, “hang on an hour, will ya, while I stop (and shop and) make pictures,” I’d have been murdered years ago.  Of course, then we’d be right back to pictures of decomposing skeletal remains.  It's the circle of life.


Monday, February 03, 2014

My Turn Monday

Meanwhile, back at the Daily Photo Game... ORD is the three letter code for Chicago’s O’Hare International Airport, where you’ll find this underground walkway between the terminals.  It reminds me of the paint aisle at a Home Depot:  an explosion of color, albeit a bit better organized than your average junk yard (see “Pop Cars,” by Russ Widstrand, yesterday).

Sunday, December 29, 2013

Shadow Detail

Vandalized Telephone - NYC 1970
If you've been a regular here, you may have noticed some significant changes, the most obvious being that I haven't written much in this space for a while.  You may also have noticed that I've stepped back, retired, from the business of photography to pursue another endeavor.


"What, he's not a photographer any more," you may ask?  Well, it's not so neat a transition.  Of course I'm still a photographer.  I'll always be a photographer.  But I've returned to my roots, maybe regressed if you like that term better.  I've gone back some 48 years in time, to being an amateur, to pursuing photography for the love of it, rather than for monetary reward.

I have to admit, I'm not the twelve year-old wandering the streets of New York City with a Pentax H3v and a single 55mm lens (it was a Mamiya-Sekor 55mm f1.4 on that Pentax).  Now I'm a well-heeled dabbler with an enhanced tool set:  a couple of Canon EOS 5D II cameras, eleven lenses from 15mm to 600mm, a Leica D-Lux 3, and an iPhone with built-in camera.  And that's not to mention the four Canon EOS 1N bodies, a couple of Nikon SLRs and lenses, and various other film-based machines in mothballs.  I know what you're thinking:  "WTF, he's morphed into my dentist?"

New York Public Library - NYC 1970
But, nope, I'm not a dentist and I'm definitely not the skinny twelve year-old chasing black and white visions of shabby derelicts and broken telephone booths any more.

I believe (and you may, or may not, agree) I come at this a bit better endowed, both in terms of hardware and vision, but I couldn't, despite the enhancements, be more curious about the world around me than I was all those years ago.  I'm still looking, still seeing things others miss, but my eye is much better honed, my vision more precise.  While I've relaxed a bit, I'm also not less serious about it.  How can you tell?  I can sum it up in three words... Daily Photo Game.

Reflection In Window - Chicago 2013
I've written about this before, I'm playing a visual game with nine other photographers, all still working professionals, in which we each post a photograph to our web site based upon the photograph which was posted by our predecessor(s) the day before.  It's an interesting twist on assignment photography because your image is self-assigned from a visual brief created the day before, by another photographer, with another photograph.  Another key element being your interpretation of that preceding image, and that you only have 24 hours to execute.  To see for yourself visit our site.

So, yes, I'm still making serious pictures, but the real purpose in writing today is to come clean and say that despite earlier grousing about the fact that my iPhone's camera is sub-standard, I've stopped all that and have actually come to like it quite a bit.  Sure, I'm still ticked-off over the fact that there's no viewfinder and it's difficult to see the screen in broad daylight.  But with the release of Apple's IOS 7 operating system there are now a few new camera features that I really, really like.

Alex
First is the ability to make square pictures, like a Hasselblad does.  I've always liked the square format.  I can also make panoramic images, like with a Fuji 617, another favorite camera from the pre-digital (film) age.  I've taken to calling images made with this phone/camera Phonography.

I'm told there are more than a few apps for manipulating the images right on the phone.  Sorry, not going there, that screen is just too damned small.  I'll continue to utilize my regular workflow:  Apple Aperture, then Adobe Photoshop.

There's still a couple of limitations that bug me, like the inability of the camera to shoot in extreme cold, a non-starter in a Chicago winter.  Well, that's what my Canons are for.  Another is that sometimes, without warning, the images become very noisy... what we used to call grainy when film was the only game in town.  Also the fact that there aren't any user-controlled settings, something that really bugs me.  I'll get over it.


In Sarah's Kitchen - Columbus, Ohio 2012

Thursday, July 04, 2013

Independence Day 2013

Tuesday, May 21, 2013

As Perception Changes

As I mentioned last month, I'm playing a game with some of my friends. We've been playing for twenty days now, cycled through each player (photographer) twice. It's been a very interesting experience for all of us.

The Daily Photo Game is designed to be inclusive for our audience. The main screen, pictured above, shows thumbnails of the images played. The first game image appears in the lower right corner of the screen and the most recent image played appears in the upper left corner of the screen. We have a Comments section for viewers to leave us notes, we have a blog entitled Artist Notes where we write about our thoughts on individual images (and viewers can comment there as well) and we have a subscription link for those who wish to follow along to click, leave us your e-mail address and you'll be notified as each new image is played.

As I play the game, as I see my friends uploading images three or four days before it's my turn, I experience a sort of anxiety as I begin to strategize for my next move. I expect my friends are having similar feelings. One thing is certain, we're all having a blast. We hope you'll join us.

Wednesday, April 24, 2013

State Of Play

Consider this for a moment... ten grown men wish to play a game. Ten is the right number for two basketball teams, but if you look at us closely you'll quickly come to the realization that we're not going to be playing basketball. What then? Monopoly? No. Poker? No. Scrabble? No. Did I mention that we're not going to even be in the same place? So, what game then? Telephone!

So, you know how to play telephone, don't you? That's the party game where a bunch of six year-olds sit next to each other and whisper a message in each other's ears until the message comes out the other end and it's completely different. But there's a twist: we're not going to whisper, we're going to play with cameras!

We call it The Daily Photo Game
. The first guy posts a picture on-line, the second player has twenty four hours to post the next picture (from files or newly created) based on the previous picture, and so on, until each of us has played one picture. There are ten photographers playing the game, so each round takes ten days to play. The best part is that because we're playing with pictures, it can be a spectator sport... that is, you can watch us play.

Who are the players? Well... Jay Ahrend, Charley Akers, David Blattel, Eliot Crowley, Blue Fier, Bob Nease, myself, Bob Stevens, Marty Trailer and Russ Widstrand. We've created a web site (Marty did, actually) based on Eliot's great idea, and now the game's afoot.

How did this come about? We all have an eleventh friend in common, Ian Summers, who organized his Heartstorming circles to help spark creativity among groups of creatives. Most of the players in this game were members of a Heartstorming circle in Los Angeles, now dormant, so this is a sort of revival of that particular group. You may be wondering how a New Yorker living in Chicago became part of a Los Angeles Heartstorming circle... so am I... but no matter, the play's the thing.

Want to watch ten photographers play a visual game? Point your web browser to The Daily Photo Game. We hope you enjoy our little game.

Oops, I've got to run... it's my turn.

Tuesday, September 04, 2012

Susan Carr

ASMP Philadelphia - Susan Carr, photographer, educator, writer and artist, passed away on September 3, 2012 at age 49. She had fought hard in her battle with cancer and carried on as ASMP’s Education Director until the very end. Susan found great personal fulfillment in the many facets of her work and she touched thousands of lives as she grew professionally and achieved notable success. ASMP has established The Susan Carr Educators Award to be presented in the Spring of 2013 and annually thereafter.

There is almost nothing that ASMP has worked on or accomplished since Susan joined the board in 2001 that did not benefit from her insights, vision, strategic problem solving and innate sense of what’s best for photographers and the Society. A past president of ASMP, Susan has long been dedicated to the advocacy and education of fellow photographers. Among her many ASMP accomplishments, Susan organized and managed the highly successful ASMP Strictly Business conferences, and was editor of the ASMP Professional Business Practices in Photography, Seventh Edition (2008) and The ASMP Guide to New Markets in Photography, available September 27, 2012.

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Chicago, Sept. 4, 1012 - I've just learned that my friend, Susan Carr, has passed away after battling cancer. Susan was a one-woman tour de force as an educator of, and advocate for, photographers.

I first met Susan when I was elected as a director of the NJ Chapter of ASMP. She was instantly friendly and helpful, especially after my election as NJ Chapter President. When I relocated to Chicago in 2008 she wasted no time in introducing me to a number of people here, helping to make it a seamless transition as I moved across 820 miles of America, and made a great introduction for me to present a seminar at the Apple Store on Michigan Avenue. I had arrived, thanks to Susan Carr.

Smart, vibrant, talented and gone too soon. I'm truly at a loss for words.

“To find your calling is a gift. A purpose provides the drive to pursue excellence along with an unwavering belief that your work is of value. When you can take this resolve and turn it into a vocation you achieve a rare and extraordinary feat.”
~ Susan Carr, “The Art and Business of Photography”

Tuesday, August 28, 2012

Shutterbug

There's more good press on the horizon. The October 2012 issue of Shutterbug has a story, reported by Maria Piscopo, on the paper products business, for which I was interviewed. Interested in selling to the calendar & greeting card market? Check it out: Shutterbug on newsstands Sept. 4th (or click the link above).

Also interviewed were a couple of friends... Marc Muench & Mike Shipman, and a flower photographer, Carol Ross. Lots of good insights, information and links to all of our web sites so you can see what we've been up to recently.

Thursday, August 23, 2012

What's Funnier Than A Comcast Commerical?

I'm sure you've seen those TV commercials for Comcast where little twists in the plot end in disaster for the protagonist. Now there's been a very clever spoof on the Comcast spots: When you get bad wedding photos you get depressed, when you get depressed you... can I leave it to you to imagine how this ends? You might want to click here to see if you get the picture.

Saturday, August 18, 2012

Wanted: The FBI Seal of Approval

A new federal regulation regarding the FBI’s Anti-Piracy Warning (APW) Seal took effect on August 13th. The new section 1authorizes use of the APW Seal by all U.S. copyright holders, subject to specific conditions of use. Copyrighted works can include, but are not limited to, films, audio recordings, electronic media, software, books, photographs, etc. 

The purpose of the APW Seal is to remind media users of the serious consequences of pirating copyrighted works. Use of this seal does not indicate that the FBI has reviewed or validated copyright interests in the particular work and does not provide greater legal protection to the work. It simply serves as a widely recognizable reminder of the FBI’s authority and mission with respect to the protection of intellectual property rights.

Those wishing to use the APW Seal must obtain the image directly from our website and display it directly adjacent to the authorized warning language. Additionally, copyright holders are encouraged to use independent, industry-recognized copyright anti-circumvention or copy protection techniques to discourage copying of the APW Seal. The new 41 CFR Section 128-1.5009 also prohibits use of the APW Seal on any work whose production, distribution, sale, public presentation, or mailing would violate the laws of the United States. Any use indicating the FBI has approved, authorized, or endorsed any work or product, or that the FBI has determined that any portion of a work is entitled to protection of the law, is also prohibited.

The Anti-Piracy Warning (APW) Seal has been approved by the U.S. Attorney General as an official insignia of the FBI and the U.S. Department of Justice. The purpose of the APW Seal is to help detect and deter criminal violations of U.S. intellectual property laws by educating the public about the existence of these laws and the authority of the FBI to enforce them. Any copyright holder who complies with the conditions of 41 CFR Section 128-1.5009 can use the Seal.

The APW Seal can only appear on works that meet all of the following:
1. Are copyright-protected (no registration of a work is required to use the seal);
2. Are subject to protection under U.S. Criminal Code provisions; and
3. Would not violate federal law if produced, sold, publicly presented, or distributed by mail or in affecting interstate commerce.

Download FBI Anti-Piracy Warning Seal by clicking here and then clicking again to see the terms of use (lawful use requires the below authorized text to be placed immediately adjacent to Seal on the copyrighted work, see 41 CFR Section 128-1.5009(e)2).

"The unauthorized reproduction or distribution of a copyrighted work is illegal. Criminal copyright infringement, including infringement without monetary gain, is investigated by the FBI and is punishable by fines and federal imprisonment."

Several alternate forms of the warning language will be available in the near future.

Saturday, July 14, 2012

After The Rain



Very close lightning, very loud thunder, very wet tree... after the sun returned.

Tuesday, July 03, 2012

Independence Day 2012

Happy Independence Day!

Friday, May 25, 2012

I Left My Heart In San Francisco

Happy 75th Birthday, Golden Gate Bridge!

Wednesday, October 05, 2011

Steve Jobs, 1955 - 2011

If you haven't yet heard (and I can't imagine that's so) I'll report here the passing of Steve Jobs, a man some have called a 21st Century Thomas Edison. I think he'd like that. I could tell you what a great innovator he was, how he changed the world, how the stuff he brought with him to change the world is insanely great. I can tell you that though we weren't personally acquainted, I'll miss him, and I could go on and on.

What I'd rather do is share something he said that was highly inspirational to me, and I think it's valuable advice for anyone.....

Commencement Address to the Stanford University Class of 2005

Thank you. I am honored to be with you today for your commencement from one of the finest universities in the world. Truth be told, I never graduated from college, and, uh, this is the closest I’ve ever gotten to a college graduation. Today I want to tell you three stories from my life. That’s it. No big deal. Just three stories.

The first story is about connecting the dots.

I dropped out of Reed College after the first 6 months, but then stayed around as a drop-in for another 18 months or so before I really quit. So why'd I drop out?

It started before I was born. My biological mother was a young, unwed graduate student, and she decided to put me up for adoption. She felt very strongly that I should be adopted by college graduates, so everything was all set for me to be adopted at birth by a lawyer and his wife. Except that when I popped out they decided at the last minute that they really wanted a girl. So my parents, who were on a waiting list, got a call in the middle of the night asking: “We've got an unexpected baby boy; do you want him?” They said: “Of course.” My biological mother later found out that my mother had never graduated from college and that my father had never graduated from high school. She refused to sign the final adoption papers. She only relented a few months later when my parents promised that I would go to college. This was the start in my life.

And 17 years later I did go to college. But I naively chose a college that was almost as expensive as Stanford, and all of my working-class parents’ savings were being spent on my college tuition. After six months, I couldn’t see the value in it. I had no idea what I wanted to do with my life, and no idea how college was going to help me figure it out. And here I was spending all of the money my parents had saved their entire life. So I decided to drop out and trust that it would all work out okay. It was pretty scary at the time, but looking back it was one of the best decisions I ever made. The minute I dropped out I could stop taking the required classes that didn’t interest me, and begin dropping in on the ones that looked far more interesting.

It wasn’t all romantic. I didn’t have a dorm room, so I slept on the floor in friends’ rooms, I returned Coke bottles for the 5¢ deposits to buy food with, and I would walk the 7 miles across town every Sunday night to get one good meal a week at the Hare Krishna temple. I loved it. And much of what I stumbled into by following my curiosity and intuition turned out to be priceless later on. Let me give you one example:

Reed College at that time offered perhaps the best calligraphy instruction in the country. Throughout the campus every poster, every label on every drawer, was beautifully hand calligraphed. Because I had dropped out and didn’t have to take the normal classes, I decided to take a calligraphy class to learn how to do this. I learned about serif and sans-serif typefaces, about varying the amount of space between different letter combinations, about what makes great typography great. It was beautiful, historical, artistically subtle in a way that science can’t capture, and I found it fascinating.

None of this had even a hope of any practical application in my life. But ten years later, when we were designing the first Macintosh computer, it all came back to me. And we designed it all into the Mac. It was the first computer with beautiful typography. If I had never dropped in on that single course in college, the Mac would have never had multiple typefaces or proportionally spaced fonts. And since Windows just copied the Mac, its likely that no personal computer would have them. If I had never dropped out, I would have never dropped in on this calligraphy class, and personal computers might not have the wonderful typography that they do. Of course it was impossible to connect the dots looking forward when I was in college. But it was very, very clear looking backwards ten years later.

Again, you can’t connect the dots looking forward, you can only connect them looking backwards. So you have to trust that the dots will somehow connect in your future. You have to trust in something... your gut, destiny, life, karma, whatever. Because believing that the dots will connect down the road will give you the confidence to follow your heart, even when it leads you off the well-worn path, and that will make all the difference.

My second story is about love and loss.

I was lucky. I found what I loved to do early in life. Woz and I started Apple in my parents garage when I was 20. We worked hard, and in 10 years Apple had grown from just the two of us in a garage into a $2 billion company with over 4000 employees. We had just released our finest creation — the Macintosh — a year earlier, and I had just turned 30. And then I got fired. How can you get fired from a company you started? Well, as Apple grew we hired someone who I thought was very talented to run the company with me, and for the first year or so things went well. But then our visions of the future began to diverge and eventually we had a falling out. When we did, our Board of Directors sided with him. And so at 30 I was out. And very publicly out. What had been the focus of my entire adult life was gone, and it was devastating.

I really didn’t know what to do for a few months. I felt that I had let the previous generation of entrepreneurs down – that I had dropped the baton as it was being passed to me. I met with David Packard and Bob Noyce and tried to apologize for screwing-up so badly. I was a very public failure, and I even thought about running away from the valley. But something slowly began to dawn on me: I still loved what I did. The turn of events at Apple had not changed that one bit. I had been rejected, but I was still in love. And so I decided to start over.

I didn’t see it then, but it turned out that getting fired from Apple was the best thing that could have ever happened to me. The heaviness of being successful was replaced by the lightness of being a beginner again, less sure about everything. It freed me to enter one of the most creative periods of my life.

During the next five years, I started a company named NeXT, another company named Pixar, and fell in love with an amazing woman who would become my wife. Pixar went on to create the worlds first computer animated feature film, Toy Story, and is now the most successful animation studio in the world. In a remarkable turn of events, Apple bought NeXT, and I returned to Apple, and the technology we developed at NeXT is at the heart of Apple’s current renaissance. And Laurene and I have a wonderful family together.

I’m pretty sure none of this would have happened if I hadn’t been fired from Apple. It was awful tasting medicine, but I guess the patient needed it. Sometimes life's gonna hit you in the head with a brick. Don’t lose faith. I’m convinced that the only thing that kept me going was that I loved what I did. You’ve got to find what you love. And that is as true for your work as it is for your lovers. Your work is going to fill a large part of your life, and the only way to be truly satisfied is to do what you believe is great work. And the only way to do great work is to love what you do. If you haven’t found it yet, keep looking and don’t settle. As with all matters of the heart, you’ll know when you find it. And, like any great relationship, it just gets better and better as the years roll on. So keep looking, don’t settle.

My third story is about death.

When I was 17, I read a quote that went something like: “If you live each day as if it was your last, someday you’ll most certainly be right.” It made an impression on me, and since then, for the past 33 years, I have looked in the mirror every morning and asked myself: “If today were the last day of my life, would I want to do what I am about to do today?” And whenever the answer has been “No” for too many days in a row, I know I need to change something.

Remembering that I’ll be dead soon is the most important tool I’ve ever encountered to help me make the big choices in life. Because almost everything — all external expectations, all pride, all fear of embarrassment or failure – these things just fall away in the face of death, leaving only what is truly important. Remembering that you are going to die is the best way I know to avoid the trap of thinking you have something to lose. You are already naked. There is no reason not to follow your heart.

About a year ago I was diagnosed with cancer. I had a scan at 7:30 in the morning, and it clearly showed a tumor on my pancreas. I didn’t even know what a pancreas was. The doctors told me this was almost certainly a type of cancer that is incurable, and that I should expect to live no longer than three to six months. My doctor advised me to go home and get my affairs in order, which is doctor’s code for prepare to die. It means to try and tell your kids everything you thought you’d have the next 10 years to tell them in just a few months. It means to make sure everything is buttoned up so that it will be as easy as possible for your family. It means to say your goodbyes.

I lived with that diagnosis all day. Later that evening I had a biopsy, where they stuck an endoscope down my throat, through my stomach and into my intestines, put a needle into my pancreas and got a few cells from the tumor. I was sedated, but my wife, who was there, told me that when they viewed the cells under a microscope the doctors started crying because it turned out to be a very rare form of pancreatic cancer that is curable with surgery. I had the surgery and thankfully, I’m fine now.

This was the closest I’ve been to facing death, and I hope its the closest I get for a few more decades. Having lived through it, I can now say this to you with a bit more certainty than when death was a useful but purely intellectual concept: No one wants to die.

Even people who want to go to heaven don’t want to die to get there. And yet, death is the destination we all share. No one has ever escaped it. And that is as it should be, because Death is very likely the single best invention of life. It is life’s change agent. It clears out the old to make way for the new. Right now the new is you, but someday not too long from now, you will gradually become the old and be cleared away. Sorry to be so dramatic, but it's quite true.

Your time is limited, so don’t waste it living someone else’s life. Don’t be trapped by dogma — which is living with the results of other people’s thinking. Don’t let the noise of others’ opinions drown out your own inner voice. And most important, have the courage to follow your heart and intuition. They somehow already know what you truly want to become. Everything else is secondary.

When I was young, there was an amazing publication called The Whole Earth Catalog, which was one of the bibles of my generation. It was created by a fellow named Stuart Brand not far from here in Menlo Park, and he brought it to life with his poetic touch. This was in the late 1960’s, before personal computers and desktop publishing, so it was all made with typewriters, scissors, and Polaroid cameras. It was sort of like Google in paperback form, 35 years before Google came along. It was idealistic, and overflowing with neat tools and great notions.

Stuart and his team put out several issues of The Whole Earth Catalog, and then when it had run its course, they put out a final issue. It was the mid-1970s, and I was your age. On the back cover of their final issue was a photograph of an early morning country road, the kind you might find yourself hitch-hiking on if you were so adventurous. Beneath it were the words: “Stay Hungry. Stay Foolish.” It was their farewell message as they signed-off. Stay Hungry. Stay Foolish. And I have always wished that for myself. And now, as you graduate to begin anew, I wish that for you.

Stay Hungry. Stay Foolish.

Thank you all very much.

Friday, August 19, 2011

What? Ideas Don't Come In The Box??

Tuesday, June 21, 2011

Skill Set... Something You'll Want To Read

I just downloaded a free report: "Sales Tips from Other Industries" from Photoshelter... http://bit.ly/SALESTIPS

Sunday, June 19, 2011

What Time Is It When An Elephant Sits On Your Fence?

On one of the photography forums I participate in, one of my correspondents wrote: "Is it better to charge hourly for commercial shoots or is that up to the photographer?"

The answer is:

Hourly? Plumbers charge hourly. It's better to charge by how the image is going to be used, the criteria being:

1) Print or Electronic Use;
2) Advertising, Corporate or Editorial Use;
3) Prominence;
4) Duration of Term (One-time, 6 months, 1 year, etc.);
5) Number of Insertions (advertising), size of Press Run (if use is print other than advertising);
6) Territory (local, regional, national, international);
7) Exclusivity.

Other factors can include degree of difficulty or the amount of time involved, proprietary techniques (if any), etc.

...and it is always up to the photographer because:

when you get a haircut, the terms & pricing are decided by the barber;
when you get your car repaired,, the terms & pricing are decided by the mechanic;
when you're represented in court, the terms & pricing are decided by the attorney;
when you eat a meal, the terms & pricing are decided by the restaurant;
when you rent a car, the terms & pricing are decided by Hertz (Avis, etc);
when you see a movie, the terms & pricing are decided by the theater;
when your suit is cleaned, the terms & pricing are decided by the dry cleaner;
when you use a credit card, the terms & pricing are decided by the lender;
when you ride the subway, the terms & pricing are decided by the transit authority;
when you cross a bridge (or use a tunnel), the terms & pricing are decided by the port authority;
when you watch television, the terms & pricing are decided by your cable or satellite provider;
when you drink a lemonade, the terms & pricing are decided by a six year-old; so
when you buy photography, the terms & pricing are decided by THE PHOTOGRAPHER!

Wednesday, June 15, 2011

Corporate Motto

Excerpt from a private note to my ex-partner's step-daughter...

"I guess that's possible but our real corporate motto was "Learning To Cope" which was a message we found spray-painted on the door to the freight elevator in the building where we had our studio. We built this great photo studio on the 4th floor of a decrepit industrial building in TriBeCa (NYC) and we completely refurbished the place so it was a high-tech palace. The only thing we didn't touch was the door to the freight elevator, where we left the spray-painted legend as-is, it just kinda fit our mood at the time."

Sunday, June 12, 2011

Contemplating "The Latest Thing" ...And A Solution

Re: Restrictions on using a tripod in Chicago, a correspondent wrote:

"In light of the latest news, you may need to worry not just about a tripod but about having two armed bodyguards."

Armed bodyguards are a budget-buster. If worse comes to worse, you grab the tripod tightly by the bottom of the legs (with both hands) and swing it swiftly, counter-clockwise, in a wide arc at the flashmob. The weight of the camera and lens at the outward edge packs a wallop they will not soon forget. Ten pounds of glass and steel really smarts when it whacks you in the face. The cops are the least of your problems.

Plan B: Street shooters can accomplish the same by holding a camera strap at mid-point, and you can swing harder and faster that way, one-handed too, like a bolo. Damn, I miss my Nikon F!

(I'll be testing Plan B at the Old Town Art Fair this afternoon and the Chicago Blues Festival later this evening. If you hear anything about fifteen bloodied teen-agers and a jailed photographer..... oh, and if you find a lens cap, please mail it back to me.)

--
Both above: Canon EOS-5D Mark II, 28~105/3.5~4.5 Canon EF Ultrasonic lens, ISO 100
Old Town Art Fair, Chicago 2010, hand-held and camera still intact

Friday, April 29, 2011

Free Movie? She Loses Her Job!

Tuesday, March 29, 2011

Excuse Me Mr. Obama, Can You Spare A Few F-16s For Us?

There's another new contract offer (is that what it is?) from Getty Images. There's buzz about it beginning to get louder.

You may be asking yourself: what more could Getty Images possibly want from photographers? Good question, but that's not the one I'm asking. I'm wondering who will stand up and say, "hey, we have to negotiate this," and then make it stick?

Been there, done that... twice!

Hey Mr. Obama, can you spare a few F-16s for us?

Sunday, March 20, 2011

Are You Experienced?

In a recent discussion on the ASMPproAdvice forum, the question was asked: "I have a stack of magazines with my photos in them, should I scan them and have a category on my website showing them? how much does it matter to potential clients?"

How does one communicate experience, value and a (long) history of publication to a prospective client without showing tearsheets? I have a selection of tearsheets on my web site if anyone's interested in looking at them, but I long ago took them out of my print portfolio. Why?

One of my first clients was a Sr VP/Creative Director/Art Supervisor at Ogilvy & Mather in NYC. He advised me to take the tearsheets out saying, "I'm tired of looking at other art directors' mistakes." They were gone in sixty seconds!

As a compromise, and a reference to my 25 years of shooting for publication, the image shown above is the last page of my print portfolio.

Friday, February 25, 2011

The Gold Rush... Hey Germany, What's Happenin?

Google Analytics is a wonderful tool. It will give you the what, when, where of any visitor data to your web page(s) but it lacks the thing I'm always most curious about: Why?

A recent review of statistics for this blog shows that on February 10th, just two weeks ago, I had 1159 distinct visitors to this page... 86% of them from Germany. Do I know why? No, I don't. Does Analytics know why? Nope, they don't. Do I know what they were looking at? Yes, I do. This blog entry from December, 2008.

Looks like a gold rush to me, but why?

NYC Pays $30K, Finances New Camera For Shooter

Friday, January 28, 2011

For ASMP Director

As the new election season nears, with voting to begin in February, the following candidates for ASMP Director are on my list of favorites... Jenna Close, Blake Discher, Mark Green, Bruce Katz and Ed McDonald.

Of the six candidates, three: Blake Discher; Bruce Katz and Ed McDonald are currently directors with whom I've worked and respect. Mark Green is a long-time ASMP member, friend and highly qualified to hold office. Jenna Close, a relative newcomer, also merits and deserves my support, and the support of the voting members.

I sincerely wish all the candidates all the best of luck in the upcoming election and, if elected, I'll look forward to serving with them on ASMP's board of directors.

Tuesday, January 11, 2011

WOW! 2.0... ASMP's Strictly Business 3

It was almost three years ago, just before I relocated to the Chicago area, that ASMP staged Strictly Business 2. I hadn't attended the original Strictly Business seminars but I decided to go to SB2. Wow! That was a game changer for me, and even after I'd been in business for more than 20 years. I wrote a blog post about it at the time and you can read it here.

If you haven’t yet registered for Strictly Business 3, I suggest that you do it immediately as it's sure to sell-out. SB3 will be held in three locations starting next week: January 21-23 in Los Angeles; February 25-27 in Philadelphia; and April 1-3 in Chicago. Needless to say, I'll be at SB3 in Chicago.

Some of the featured workshops include: copyright; workflow; pricing; estimating; strategic career planning; successful portfolios & branding; video production. It's an impressive roster of speakers and seminars on hot-button topics.

SB3 is for all photographers, not just the newcomers. Photographers who've been in business for years will get just as much from it, maybe more, than someone new to the biz. Let's face it, it's more important now than it's ever been before to be up-to-date with our business skills and learn new ideas... and you'll meet your peers from all over the country, broaden your scope, make new friends and share. You can't get this kind of intense kick in the pants anywhere else.

I’ve always thought I had a pretty good handle on how to conduct my business, but I came home from SB2 with so much new information, so many good ideas to implement, that I didn’t know where to start. I'm betting that SB3 will be even better! Join us at SB3. Click here to register now.

Saturday, January 01, 2011

The Time Has Come, The Walrus Said...

"The time has come," the Walrus said,
"To talk of many things:
Of shoes and ships and sealing-wax,
Of cabbages and kings,
And who will process Kodachrome,
Did you order your tee-shirt yet?

The last day to place any new orders for Kodachrome processing was Thursday, December 30th, 2010. Kodachrome film that was not in the lab by 12:00 noon on December 30th, 2010 wasn't processed. Don't be confused, Dwayne's Photo did not close. Dwayne's will continue to process other types of film and provide all of their other services, only Kodachrome processing is being discontinued.

RIP, Kodachrome. We'll miss you!

Friday, December 31, 2010

Looking Forward To 2011

At year's end we all are typically reflective. Not that anything of substance can or will necessarily change with the expiration of a calendar year and the beginning of a new one, but as long as there is such a demarcation it inspires introspection. With that in mind I'd like to point you to an interesting blog post by my old friend Seth Resnick, who gives us (photographers) some additional food for thought. You'll find Seth's commentary on the current state of affairs here...

http://shakodo.com/p/56/

Happy New Year!

Sunday, December 26, 2010

I Love My iPad But... Part II

Steve Noreyko did some research into iPad portfolio software and was kind enough to send me a comprehensive list of the front runners. The three at the top are the ones he likes the best at the moment.

Pad Folio ($7.99)
Minimal Folio ($2.99)
Padport ($9.99)
Foliobook ($7.99)
Flexfolios ($9.99)
Portfolio for iPad ($14.99)
Padfolios ($9.99)
Valise ($4.99)
Unprinted ($2.99)
Sideshow ($9.99)
Lookbook ($1.99)
MediaPad Pro ($14.99)

Sunday, December 12, 2010

I Love My iPad But...

I'm having a problem organizing my photos. I want to show them in a particular order but even though I've numbered them consecutively the iPad insists on showing them in a random order. This is not exactly what I had in mind. I put the images in a folder on my Mac's hard drive, numbered them as "01.jpg" then "02.jpg" then "03.jpg" etc in the order in which I intend them to be shown. My Macintosh folder shows them in the correct order (logical, by number, lowest to highest). In iTunes I selected the folder to sync and let it do its thing. I assumed that if my hard drive lists them in numerical order so will the iPad. I don't understand why it doesn't occur that way. I checked the settings file for Photos on iPad and made sure "Shuffle" was off and tried again. The iPad still shows them in its own order (I said random but it's not random because it doesn't change, it's always the same, just not the order in which the files are numbered), it's driving me up a wall, so I reached out across my digital universe to see if any of my friends have the same problem and know how to fix it. Here's a sampling of what they said.....

Joseph Linaschke If you're syncing from Aperture or iPhoto, the trick is to put the sorting in manual order. When it's in an automatic order (i.e. sort by name, date, etc), for some reason the iPad sync doesn't sync in the right order. But as soon as it's sorted manually, it does. The easiest way to do this is to move a thumbnail manually, which will change it to manual sorting. You can move it back where it was, that's fine but the manual move is the kicker.

Susan May Tell At PhotoPlus Expo I met Craig Orsini who created an App, available at the App store, called Mediapad PRO. His booth was very popular so maybe this will help.

Tony Gale I use Foliobook on my iPad.

David Riecks Any chance it's in the order of the creation date that is embedded in the EXIF? It may be that Apple is leveraging the metadata, and ranking that more important than the filename you gave the image.

Brian Smale Foliobook let's you drag and drop your images, have multiple portfolios, and costs about 7 bucks.

Steven Noreyko I ran into this same problem almost immediately with my iPad. When syncing a folder of images from iTunes, the iPad will by default sort the images by image capture date. Unfortunately there's no way to change that setting on the iPad or in iTunes. If you have PhotoMechanic, you can use Tools Adjust Capture Dates & Times to adjust the image file capture date. [You can] sync images from Aperture or iPhoto (not ideal because I found they overcompress the images). [You can] create new documents for each image in Photoshop and save them in the order you want them displayed. Lame, but it will work. Otherwise, as some have suggested you can also try a portfolio app. FolioBook is one option that others have mentioned. I'm testing out Minimal Folio and I like its minimal-ness and the developer's response to feature requests. Searching for "Portfolio" on the App Store will give you a handful of app options at varying price points.

So..... Taking all of these solutions into consideration, and having superficially checked them out, I think I like the solution proffered by Andrew Webb who wrote: Portfolio For iPad is what I'm using. Very flexible and simple to use.

Here's the best part of what I learned, and really helped me understand the problem... the built-in photo chooser for images loaded in via iTunes does not pass on photo names. As Riecks & Noreyko correctly pointed out, iTunes is leveraging the creation date in the EXIF data to order the images. How am I going to solve this? Stay tuned, don't touch that dial.

Saturday, December 11, 2010

Screaming At The Television



No, I'm not off my rocker, I just knew the question that was the answer.

Sunday, December 05, 2010

An Update From 31,000 Feet

After suffering the multiple indignities of being ignored by TSA security and a one hour and ten minute departure delay, all is ameliorated by Delta's complimentary in-flight wi-fi service. Welcome to the friendly skies... greetings from 31,000 feet. Now, if only a Diet Coke wasn't $3.00 on the plane l'd be all set.

Not Completely Disappointed

The business climate being what it is I don't fly as much as l have in years past, but l still get off the ground once in a while.  Currently at O'Hare (ORD) on my way to Atlanta and saw something interesting... There's a little sign as you wait on line to go through security advising that the X-ray machine will not harm film up to EI800, but if you desire a hand-check it's no problem, just ask.

In the not too distant good old days, if you wanted a hand check they insisted you remove all of the film from the packaging and they'd swab each cassette individually, which could take hours.  I began FedExing my film to the location a day ahead of time to avoid delays (not that there was any assurance the film wouldn't be X-rayed by FedEx) but now that l'm off film completely and 100% digital... now TSA is completely accommodating.

To add insult to injury, nobody asked to body-scan or frisk me.  I spent a lifetime cultivating a public image based on Oscar The Grouch and l'm not suspicious enough for them any more?

Well, at least my flight is delayed, so l'm not completely disappointed.

( Sent from my iPad)